Abstract
The history of Black Americans in entertainment reflects a complex and often paradoxical interplay of exploitation, human rights violations, resilience, creativity, institutional reforms, and eventual commercial success by following the rule of law. From the coerced musical and theatrical performances on Southern plantations to the dehumanizing caricatures of minstrel shows, and from the segregated “Chitlin’ Circuit” performance venues to the global stages of contemporary professional sports, music, film, and television, Black cultural production has been both a site of oppression and a vehicle for liberation. These artistic and athletic contributions have consistently been shaped by America’s deeply entrenched racial and economic hierarchies, where systemic barriers often limit ownership, authorship, and full participation in decisionmaking power. This paper critically examines how, despite the creation of regulatory frameworks to have inclusive governance, systemic exploitation persists even as Black entertainers and athletes achieve unprecedented levels of wealth, visibility, and cultural influence. The study employs a combination of literature review, historical analysis, observational insights to uncover patterns of commodification, constrained representation, and structural inequities, while simultaneously recognizing moments of creative innovation, resistance, agency, and collective empowerment. By tracing these dynamics across multiple eras and industries, the paper illustrates how Black cultural labor has been a driving force in shaping American identity and global culture yet continues to face cycles of appropriation and exclusion. Beyond historical and contemporary critique, the paper offers concrete and actionable recommendations for individuals, entertainment organizations, educational institutions, and policymakers to dismantle inequitable structures, expand pathways for Black leadership and ownership, and ensure that creativity, labor, and talent are valued and rewarded in ways that promote true equity and societal well-being. In doing so, it contributes to ongoing conversations about racial justice, cultural sovereignty, and the need to cultivate an inclusive future where all citizens can fully thrive.
| Original language | American English |
|---|---|
| Pages (from-to) | 1-19 |
| Journal | Public Governance, Regulation and Law |
| Volume | 2 |
| Issue number | 1 |
| DOIs | |
| State | Published - 2026 |
Funding
There is no funding for this research
Keywords
- black entertainment
- rule of law
- human rights
- racial dynamics
- public governance
Fingerprint
Dive into the research topics of 'Human Rights and the Rule of Law in Public Governance: The Transformation of Black Entertainment and Athletic Excellence in the United States'. Together they form a unique fingerprint.Cite this
- APA
- Standard
- Harvard
- Vancouver
- Author
- BIBTEX
- RIS