Orchestration

Research output: Chapter in Book/Report/Conference proceedingChapter

Abstract

This chapter covers the transcription of sound sources and dynamics in an orchestration context. The first section covers the identification of individual sound sources through their sonic profiles, playing techniques, and secondary information. The second section then covers the identification of heterogeneous and homogeneous sound sources in stacked composite sounds. Finally, the third section explains the transcription of timbre-based dynamics to reconstruct the original performance dynamics. The chapter activities help learners practice the attribution of timbre to individual sound sources, stacked sound sources, and dynamics. In summary, this chapter offers strategies to transcribe notation detail with increased attention to orchestration.
Original languageEnglish
Title of host publicationA Music Transcription Method
Subtitle of host publicationNotating Recorded Music by Ear
Place of PublicationNew York, NY
PublisherRoutledge
Chapter11
Pages121-131
Number of pages11
Edition1st
ISBN (Electronic)9781003511946
ISBN (Print)9781032842547
DOIs
StatePublished - Aug 20 2025

ASJC Scopus Subject Areas

  • Music
  • Education
  • Computer Science Applications

Keywords

  • composite sounds
  • identifying musical instruments
  • sonic properties
  • timbre and dynamics
  • timbre in music

Disciplines

  • Music Education
  • Music Pedagogy
  • Music Practice
  • Composition
  • Music Performance
  • Music Theory

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