Abstract
This chapter covers the transcription of sound sources and dynamics in an orchestration context. The first section covers the identification of individual sound sources through their sonic profiles, playing techniques, and secondary information. The second section then covers the identification of heterogeneous and homogeneous sound sources in stacked composite sounds. Finally, the third section explains the transcription of timbre-based dynamics to reconstruct the original performance dynamics. The chapter activities help learners practice the attribution of timbre to individual sound sources, stacked sound sources, and dynamics. In summary, this chapter offers strategies to transcribe notation detail with increased attention to orchestration.
| Original language | English |
|---|---|
| Title of host publication | A Music Transcription Method |
| Subtitle of host publication | Notating Recorded Music by Ear |
| Place of Publication | New York, NY |
| Publisher | Routledge |
| Chapter | 11 |
| Pages | 121-131 |
| Number of pages | 11 |
| Edition | 1st |
| ISBN (Electronic) | 9781003511946 |
| ISBN (Print) | 9781032842547 |
| DOIs | |
| State | Published - Aug 20 2025 |
ASJC Scopus Subject Areas
- Music
- Education
- Computer Science Applications
Keywords
- composite sounds
- identifying musical instruments
- sonic properties
- timbre and dynamics
- timbre in music
Disciplines
- Music Education
- Music Pedagogy
- Music Practice
- Composition
- Music Performance
- Music Theory
Fingerprint
Dive into the research topics of 'Orchestration'. Together they form a unique fingerprint.Research output
- 1 Book
-
A Music Transcription Method: Notating Recorded Music by Ear
Haberlin, A., Aug 20 2025, 1st ed. New York, NY: Routledge. 178 p.Research output: Book/Report › Book
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