Abstract
This chapter covers several context-based variants to the transcription process. The first section outlines common source and target formats, their characteristics, and how they integrate with the transcription process. The second section then explains how to transcribe global, foundational, and dependent layers from the audio and MIDI stems of multi-file sources. Finally, the third section explains how to transcribe to target formats with limited sheet music space, namely reductions and rhythm charts. The section activities help learners explore common process variants of music transcription. In summary, this chapter demonstrates how to navigate the intricacies of transcribing different types of source and target formats.
| Original language | English |
|---|---|
| Title of host publication | A Music Transcription Method |
| Subtitle of host publication | Notating Recorded Music by Ear |
| Place of Publication | New York, NY |
| Publisher | Routledge |
| Chapter | 7 |
| Pages | 72-84 |
| Number of pages | 13 |
| Edition | 1st |
| ISBN (Electronic) | 9781003511946 |
| ISBN (Print) | 9781032842547 |
| DOIs | |
| State | Published - Aug 20 2025 |
ASJC Scopus Subject Areas
- Music
- Education
- Computer Science Applications
Keywords
- audio stems
- digital audio workstation
- master rhythm
- MIDI stems
- music reduction
Disciplines
- Music Education
- Music Pedagogy
- Music Practice
- Composition
- Music Performance
- Music Theory
Fingerprint
Dive into the research topics of 'Process Variants'. Together they form a unique fingerprint.Research output
- 1 Book
-
A Music Transcription Method: Notating Recorded Music by Ear
Haberlin, A., Aug 20 2025, 1st ed. New York, NY: Routledge. 178 p.Research output: Book/Report › Book
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